University of Johannesburg Hosts Africa’s First-Ever Bioart Exhibition”
Introducing the Creative Microbiology Research Co-Lab (CMRC) at the University of Johannesburg, a groundbreaking cross-faculty collaboration positioned at the forefront of the Fourth Industrial Revolution. Spearheaded by Professors Leora Farber and Tobias Barnard, CMRC delves into the captivating convergence of microbiology, visual representation, and creative exploration.https://www.joburg.org.za/media_/Newsroom/Pages/2023%20News%20Articles/August/UJ-brings-first-bioart-exhibition-to-the-continent.aspx
South Africa’s inaugural bioart exhibition, SYM | BIO |ART, a platform where artists and scientists synergize to unveil fresh insights fostering an environmentally conscious future. Embark on a mesmerizing odyssey into the realm of bioart and its transformative potential, a unique expedition that must not be overlooked! Delve into a collection of thought-provoking artworks that exalt the interplay of ideas.
Through the dynamic collaboration between artistic minds and scientific pioneers, CMRC endeavors to unlock novel perspectives and revelations, shaping a future teeming with creativity and ecological mindfulness. Partake in this enthralling voyage and contribute to the molding of our world through the captivating medium of bio art.
The exhibition proudly presents visionary artists who boldly venture into innovative realms, employing speculative techniques that bridge the gap between living and inanimate entities. Their interdisciplinary approaches carve a path toward groundbreaking research. Among the featured nine artists and scientists are Nolan Oswald Dennis, Leora Farber, Nathaniel Stern, Nelisiwe Xaba, Tobias Barnard, Xylan de Jager, Brenton Maart, Nadine Botha, and Miliswa Ndziba.
Despite the evolution of bio-art over time, driven by the efforts of artists and scholars, the co-founders note that Africa has not yet fully embraced this field. The potential for bio-art to serve as a substantial domain for creative and theoretical exploration in South Africa remains largely unexplored.
Bio-art carries the potential to heighten awareness concerning the intricate microscopic realm that envelops us, both internally and externally. It prompts novel viewpoints on interactions at the microbial level. Through recognition of our interdependent bond with bacteria, we can transcend the conventional perception of them merely as hazards to our health.
One of the most captivating aspects of the SYM|BIO|ART exhibition is its inherent dynamism. Certain artworks may have metamorphosed since the exhibition’s commencement, inviting return visits to appreciate the evolving narrative fully.
Within the confines of the exhibition, the artworks seamlessly merge, weaving a coherent tapestry that offers a glimpse into potential futures. Professors Farber and Barnard emphasize the distinctive potential of bio-art, serving as a bridge for the fusion of methodologies, materials, and wisdom. This powerful platform empowers African artists and bio-art practitioners to address region-specific concerns spanning socio-political, historical, and environmental realms.
The exhibition is on view at FADA Gallery until August 19, 2023.